The subject was in a particularly vulnerable state and he took advantage of that and filmed her confession. Although the documentary is very intimate, in both its setting and the framing of the subjects as the yellow-y and fatigued skin of the subjects is shown through close ups. Sometimes during the film I felt like I wanted to intervene in order to stop what the interviewees were struggling with while telling their stories. However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. This shows how relationships are built up when filmmaking and how subjects and even the interviewer forms attachments. Throughout the documentary there are cut ins of Watson discussing ethical implications during the filming process. /Users/abgsaniya/Desktop/hqdefault.jpg.
But I dont appreciate so much. Other examples are when he continuing to film Nigels wife as she said goodbye to her dying husband in the hospital and when Vanda told a deep secret about the reason she became an alcoholic. Also when he went to Vandas house and interviewed her, he didnt stop her to drink alcohol. Most Popular Now | 56,514 people are reading stories on the site right now. At this point, i would say, at least, it demonstrates the serious damage of alcoholism to many people like me, especially for teengers. Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. This I feel undermines what his role as a filmmaker is as it shows his intentions for the direction of this documentary. To judge whether or not Watson exploited the people in his film wed have to know exactly how hes profited from them. For example, Vanda(I think its her name) points at her head and say it is there. He is good at capturing facial expressions and touching moments, though he constantly replays repeated footage to create a moment. I found the piece riveting but extremely disturbing. The seriousness of the topic in the documentary is emphasised through the filmmakers intimacy and relationship with the subjects. For Watson asks: What would you class as an alcoholic? Toni replies: Someone who cant go a day without a drink. Once this is said, Watson slowly zooms in on her face and responds: but you told me there are days where you cant go a day without a drink. Watsons response to Tonis statement could be stated as being overly dramatic for the audiences benefit, therefore, compiling with Ellis and most documentary critics argument that the director is always more concerned with how the potential audience will perceive the subject and story than the subject themselves. I also think that it is not Pauls fault that these people after having a huge amount of alcohol could not control themselves: their speech, actions and emotions. The fact he became emotionally involved with such a topic I believe would have helped; it was clear he so wanted them to stay off the alcohol and endure a full recovery. Critics also believe that the tragic scene of when Nigel dies in front of the camera is too much to be shown to the public eye and that he took full advantage of the emotional situation for his own benefit. I did not really feel that Paul Watson uses his characters, unless he tried to observe the process of drinking, or returning to the alcoholism after abstaining from it. Otherwise it would not have been so real and touching and would not have had such an effect on those who watch it. Paul Watson does a good job at creating face and gives the appearance of being genuinely interested and sympathetic so in that way it is easier for us to lower our defensive walls and absorb what the documentary is trying to tell us. The latest edition of BBC Two's Newsnight with its daily analysis of news and current affairs. http://news.bbc.co.uk/1/hi/programmes/newsnight/7140605.stm. I read an interesting article about this film posted on The Guardian, and a quote that stood out to me was Of the many powerful issues raised by the film, the one which occupied me most was this: are some things just too real to be captured on film?. However, Watsons humanity and compassion shines through. On the other hand, i personally feel like people are indeed exploited. However in the documentary there is a shot of him asking Why am I asking you to watch Nigel die? and he then says that Nigels wife, Kath, had wanted it to be shown so that the audience would be made fully aware of the consequences of alcoholism. It may be their escape from their issues, and what I think is also important to keep in mind is that if they are using alcohol for this reason, then it could have easily been any other drug. I think that the mutual awareness of the situation between subject and filmmaker, despite the subjects inebriation, helps to prove that it is not exploitative. It is very gruelling, don't expect an easy ride. However, what I think strongly outweighs this are the positive effects of the film in terms of education. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. Rain in My Heart. Its hard to give a black or white answer of whether or not Paul Watson exploit the subject. Webcannon falls shooting; rain in my heart documentary mark died. However I think that this documentary can appear that way simply because it is so intimate and explicit. Finally, the article posted below discusses Rain in my Heart alongside other documentaries of Paul Watson. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. It is not a pleastant sound. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. A prime example of this in the documentary was when Vanda (under the influence of alcohol) decided to share her demons and reasons for her addiction. Overall I felt as if Paul Watson didnt exploit his subjects, they all consented to being observed and he used that to create a telling and shocking encounter with those suffering from alcoholism. I do not think Paul Watson was exploitave in his filming. (steering away from the public filming location of the hospital) and can we film them in such a vulnerable and dazed state? In my opinion, this exploited them as the repetition was giving them a personality that they do not possess and is therefore, a form of misrepresentation. I also believe Watson tried his best to tackle these accusations, baring in mind that overdoing it throughout the documentary could appear to undermine the actual traumas of the patients and their families. But if some of us dont record it, no one else will learn about it. I mean most people wouldntHer reaction to his question is also an example as she seemed to be in pain by his disbelief and lack of trust.she even said why else would she be in the state she is in if not because of the trauma she had been through? He is exploiting Nigel as he was only continuing to cover the story because he thinks that he will benefit out of it, when the focus should really be concentrating on capturing the truth and reality of the situation, therefore I believe that Paul Watson was exploiting his subjects in this documentary. However, this scene does give greatest insight in to why Vanda is an alcoholic, and given the nature of the documentary, this is a critical point that must be conveyed to the viewer to give most depth to the understanding of alcoholism. Mark is being exploited towards the end of the film when he goes crazy and starts crying, screaming, vomiting etc. Explaining hell it is! Watson had to exploit his subjects in order to create such an amazing film. I felt as if he cared for her wellbeing. I do not believe that Paul Watson was dealing with the accusations successfully, but I also do not believe that he was making this film completely selfishly. Rain In My Heart raises many ethical issues as a documentary yet highlights many health and social issues current in our society. rain in my heart documentary mark died. Watson chooses subjects based on their deadly addictions to alcohol, an integral part to the film. We have to remember that all the subjects gave their full consent to be filmed. I feel that Paul Watson did exploit his subjects to some extent. Change), You are commenting using your Twitter account. I find it hard to imagine a way Watson could have made this film without the, sometimes unjust, use of the subjects. Even all knows that subjects were vulnerale and needed a help. Several times in the documentary we see him struggle to make decisions on how he will proceed with the footage he has. For someone to say that Watson exploited the people in the film is to say that he harmed them in some way, which I dont think he did. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. There are certainly points in this film in which I believe that the subjects were exploited. This for me over steps the boundaries of ethical filming. Rather, this extreme showing of suffering is an eduction, to open the spectators eyes to this disease and its effects. WebRain in my Heart Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. It is true that these patients are probably not fully capable of realising the whole process of the documentary, however they are aware that a camera is always present and they are sometimes asked by Watson if they prefer it to be switched off.
During the film one of the subjects Mark says If I am not a advert for not drinking then I dont know what is. Trevor Beckett 799 subscribers Subscribe 526K views 9 years ago Brilliant, unflinching documentary on alcoholism by Kent film maker Paul Watson. There were no moments where I thought Paul Watson was exploiting his subjects in the film, I simply viewed him as an observational documentarist that attempted to explain the real horrors of self-harming through the use of alcohol. Moreover, one can say that the subjects were exploited not only in the aforementioned scenes, but generally throughout the film. Everyone is in a stunned, kind of awkward, silence and the game continues, as the players want to compete for the reward. Critical and disbelieving responses after giving personal information in a safe space, can cause as much pain and loneliness as the original abuse. This is getting a lot more personal. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. However i think he knew he was being somewhat intrusive. Its an accrtate reflection of the film, filled out with music (sometimes exciting rock) atmospheric and stylized dramatic reconstruction of events, and many many many self-conscious and elaborate shots. Uncharted Territory (Priory Pictures/BBC Two, 2006). The subject is not exploited as she has consented Watson to film her in her most tragic state and all of this psychological revealing is not only for Watsons own good but for the audience as they are being warned off the overuse of alcohol.
Indeed, there are many moments when one questions the ethics of his filming, however I believe that it is simply a matter of distinguishing whether or not the capturing of such harsh realities is in itself, exploitative. WEEK 4 QUESTION:Are there moments when you feel that Paul Watson has exploited his subjects in this film? I particularly found the way that Watson asked questions respectable, when talking about the monsters in Vandas head she stated she didnt want to talk about it and he was reassuring and moved the conversation away from them. It is obvious that this documentary was extremely influential to those who have seen it, I have attached a link below of a Facebook page a viewer has made (who obviously has personal issues and experience with alcoholism). https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. It is complicated to say if Paul Watsons techniques were successful in the making of the film, as there are arguments from both sides. Film charting the traumas faced by four alcoholics and the emotional impact their struggle has had on those around them.
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